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X-WR-CALNAME:Beyond 1932
X-ORIGINAL-URL:https://1932muscon.kcl.ac.uk
X-WR-CALDESC:Events for Beyond 1932
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240511T193000
DTEND;TZID=UTC:20240511T213000
DTSTAMP:20240622T145351Z
CREATED:20240622T145351Z
LAST-MODIFIED:20240622T145351Z
UID:297-1715455800-1715463000@1932muscon.kcl.ac.uk
SUMMARY:Residency #1: HARDI KURDA + ARCHIVE KHANAH ئەرشیف خانه at Cafe Oto
DESCRIPTION:What is the role of citizens and local communities in preserving the sound of their region? Who decided what music and sounds are ‘worth’ being archived? And how should we engage with archives as sites of both remembering and forgetting? As part of the ERC’s Beyond 1932 Research Project at King’s College London\, sound artist and composer Hardi Kurda will launch his new project\, Archive Khanah. The event is part of Space21 Festival based across Slemani (Kurdistan) and its artist networks in Lebanon\, Cyprus and the UK. The evening will introduce the sound archive’s interactive and community-based approach to recording and archiving forgotten and excluded voices from the 1920s – 1970s in Kurdistan and Iraq by using computer game technology to capture and perform the sounds of the region.
URL:https://1932muscon.kcl.ac.uk/event/residency-1-hardi-kurda-archive-khanah-%d8%a6%db%95%d8%b1%d8%b4%db%8c%d9%81-%d8%ae%d8%a7%d9%86%d9%87-at-cafe-oto/
LOCATION:Cafe Oto\, 18-22 Ashwin St\, London\, E8 3DL\, United Kingdom
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://1932muscon.kcl.ac.uk/wp-content/uploads/2024/06/cafe-e1719067999581.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240516T000000
DTEND;TZID=UTC:20240516T235959
DTSTAMP:20240622T144910Z
CREATED:20240622T144910Z
LAST-MODIFIED:20240622T144910Z
UID:295-1715817600-1715903999@1932muscon.kcl.ac.uk
SUMMARY:“The Institutionalisation of Egyptian Sha’bi Music” at the ‘Music Ethnography’ workshop
DESCRIPTION:
URL:https://1932muscon.kcl.ac.uk/event/the-institutionalisation-of-egyptian-shabi-music-at-the-music-ethnography-workshop/
LOCATION:King’s College London – Music Department\, Strand building @ Room SWB 21\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Workshop
ORGANIZER;CN="Sophie Frankford":MAILTO:sophie.frankford@kcl.ac.uk
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240524T000000
DTEND;TZID=UTC:20240524T235959
DTSTAMP:20240622T144640Z
CREATED:20240622T144614Z
LAST-MODIFIED:20240622T144640Z
UID:291-1716508800-1716595199@1932muscon.kcl.ac.uk
SUMMARY:“Breaths from Aleppo\, Muwashshahat Halabiyya: Musical Heritage from Aleppo with Ibrahim Muslimani” workshop
DESCRIPTION:Ibrahim Muslimani presents on the musical heritage of Aleppo\, focusing particularly on the art of Muwashshahat. Martin Stokes and Sophie Frankford participated in performing this musical repertoire alongside Ibrahim. \n 
URL:https://1932muscon.kcl.ac.uk/event/breaths-from-aleppo-muwashshahat-halabiyya-musical-heritage-from-aleppo-with-ibrahim-muslimani-workshop/
LOCATION:King’s College London – Music Department\, Strand building @ Room SWB 21\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://1932muscon.kcl.ac.uk/wp-content/uploads/2024/06/may24-e1719067297426.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240531T103000
DTEND;TZID=UTC:20240531T180000
DTSTAMP:20240718T150105Z
CREATED:20240622T143220Z
LAST-MODIFIED:20240718T150105Z
UID:286-1717151400-1717178400@1932muscon.kcl.ac.uk
SUMMARY:‘Song and Dance-scapes in Popular Turkish\, Greek and Egyptian Cinema/Theatre’ workshop
DESCRIPTION:Martin Stokes organised a 1-day workshop on May 31\, ‘Song and Dance-scapes in Popular Turkish\, Greek and Egyptian Cinema/Theatre’\, with Anne R David (Roehampton KCL)\, Dafni Tragaki (University of Thessaly)\, Carole Woodall (University of Colorado\, Colorado Springs)\, Lydia Papadimitriou (John Moores University\, Liverpool)\, Cüneyt Çakırlar (Nottingham University)\, Samar Abderrahman (Liverpool University)\, Iain Smith (KCL)\, Yara Salahiddeen (KCL)\, Shreya Anasuya (KCL)\, and Chihab El Khashab (Oxford). \n“This interdisciplinary workshop starts by questioning\, with Sabri Hafez\, the insistence on the national frame of reference in film studies in Egypt – an observation that can easily enough be extended to Turkey and Greece. The popular song and dance-scapes in mid-20th century theatre and film in the eastern Mediterranean would seem to call for an entirely different approach. So much circulates in translated form – translation being understood here very broadly\, embracing the uncanny echo just as much as deliberate borrowings\, adaptations and appropriations of songs\, dances\, entire plots\, mise-en-scènes and so forth\, of which devotees of these cinemas are generally\, and to greater or lesser extents\, aware. A great deal\, too\, took shape in the dual forcefields of Hollywood and Bollywood\, and across the entire region. Singing and dancing bodies pose some classic problems in film studies (viz. Richard Dyer and others on stars). Starting with\, and thinking through them\, may however be exactly what is required to generate fresh insights into the fields of circulation that define 20th century Turkish\, Greek and Egyptian cinemas and their immediate hinterlands (musical theater\, operetta\, vaudeville etc.) The insights of queer and performance theory\, film and media studies\, anthropology\, musicology and ethnomusicology all seem vital\, too\, but are rarely in conversation\, in this field at least\, and this is another modest aim of the workshop.”
URL:https://1932muscon.kcl.ac.uk/event/song-and-dance-scapes-in-popular-turkish-greek-and-egyptian-cinema-theatre-workshop/
LOCATION:King’s College London – Music Department\, Strand building @ Room SWB 21\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://1932muscon.kcl.ac.uk/wp-content/uploads/2024/06/statue-of-Abd-al-Halim-Hafiz-scaled.jpg
ORGANIZER;CN="Martin Stokes":MAILTO:martin.stokes@kcl.ac.uk
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